The going to the theatre left an odd impression of misunderstanding and social life which seems to submerge again.
I came to the local theatre an hour ahead to redeem the tickets. There were the autumn leafs everywhere and nobody in the hall. My reflection at the glasses was fine, at least I liked it and felt kinda Parisian. The small coffee shop in the calm Sunday trade center welcomed me. For half an hour I spend like a book heroine, reading the tale of Kazuo Ishiguro (who is the winner of 2017 Nobel Prize) and drinking coffee. The forgotten pleasure of reading fiction prose.
When I came back to the theatre there were much more people and a girl with the easel. Waiting for someone at the theatre hall is one of the least joyful things. I even filled in the questionnaire to which options of the favorite local theatres I added Vakhtangov’s. Then I started to speak with the girl by the easel, and evidently, she was from the art college. We had shortly discussed the teachers before Mary came to us. I tried to make a conversation but it cracked. Then she often came to her husband and I had no idea what to do. They seemed to be busy. Afterward, their third person came but he didn’t join our silence as he was eating something. I started to think that Mary was offended by me ( the odd situation with the tickets) but she lively talked about the local artist whose pictures were hung on the walls. The friend of Mary’s husband greeted me and made some jokes as we met before at the Quiz.Please game.
The performance made a really good impression at the beginning. There were two characters who played queer creatures and played them really good. Even at the moments, they weren’t at the focus they played. But after a few stories, the main idea has begun to melt their massages hardly matched. The composition of grounded stories about people and some pathetic temptation to touch “The Sacred Question of Art”. At the end, the artist who appeared from time to time during the whole performance turned the big picture to the audience. Frankly, I expected to see a key for the play but it was a messy unclear drawing which didn’t tell anything.
The talk we had after was full of men’s loud impressions, they got it was rubbish. And partly they were right but not in that expressive way. I found out that it was really hard for me to grasp and answer smartly on the man’s jokes. That was fast and non-straight-forward. (I spend to much time with less clever people). Mary’s husband dropped me at my bus stop.